elixir
An imprint of Simon & Schuster Children's Publishing Division
1230 Avenue of the Americas, New York, New York 10020
www.SimonandSchuster.com
This book is a work of fiction. Any references to historical events, real people,
or real locales are used fictitiously. Other names, characters, places, and incidents are
products of the author's imagination, and any resemblance to actual
events or locales or persons, living or dead, is entirely coincidental.
Copyright © 2010 by Hilary Duff
Photograph of flower copyright © 2010 by Kevin Twomey
All rights reserved, including the right of reproduction in whole or in part in any form.
is a trademark of Simon & Schuster, Inc.
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Book design by Lizzy Bromley
The text for this book is set in Cochin and OL Hairline Gothic.
Manufactured in the United States of America
2 4 6 8 10 9 7 5 3 1
Library of Congress Cataloging-in-Publication Data
Duff, Hilary, 1987–
Elixir / Hilary Duff with Elise Allen. — 1st ed.
p. cm.
Summary: Clea Raymond, a talented young photojournalist who has spent her life in the
spotlight, and her best friends, Rayna and Ben, travel the globe trying to
unravel a centuries-old mystery that could reveal her soulmate's identity
and the secret of her father's disappearance.
ISBN 978-1-4424-0853-1 (hardcover)
[1. Mystery and detective stories. 2. Photojournalism—Fiction. 3. Supernatural—Fiction.
4. Voyages and travels—Fiction. 5. Celebrities—Fiction.
6. Youths' writings.] I. Allen, Elise. II. Title.
PZ7.D8713Eli 2010
[Fic]—dc22
2010022053
ISBN 978-1-4424-0859-3 (eBook)
In dreams
AND
in love
THERE ARE
no impossibilities.
one
I COULDN'T BREATHE.
Wedged in the middle of an ocean of people, I gasped for air, but nothing came. The heat from a million writhing bodies radiated over me, their sweat weighing down the air. I searched anxiously for an escape, but painfully bright lights strobed on and off, clouding my sense of direction.
I was losing it. I was going to pass out.
I forced in a deep breath and tried to talk myself down. I was fine. It wasn't like I was anywhere dangerous. I was on a dance floor, in the most exclusive nightclub in Paris. People lined up all night in the freezing cold for even a chance to stand where I was now.
It didn't help. The techno beat thrummed into my brain, five notes repeating over and over and over until I knew I'd have to scream. The crowd pushed even closer and I couldn't move my arms, could barely turn my head, and I had a sudden vision of this being forever, an eternity packed in this tiny space as confining as a coffin.
Like my father's coffin. Did he have a coffin? Was he even buried? Did anyone even know when he died? Was he alone, lost in the jungle? Was he attacked by animals? Was he found and tortured? Had he prayed for us to save him before it was too late?
That did it. Now I was hyperventilating. I closed my eyes and forced my arms up and apart, swimming for dear life through layers of writhing, grinding bodies. I nearly cried when I felt a burst of winter air on my face. I'd made it out to the balcony. I staggered to an open love seat and leaned against its back as I drank in gulp after gulp of fresh air.
I was back; I was okay. I took another deep breath, this one calm and centering, and looked out over the nighttime Paris skyline, the Eiffel Tower bathed in yellow lights. It was beautiful. Automatically I reached for the camera bag dangling at my hip, but of course I hadn't brought it to the club. I sighed and let my hand drift to the silver iris charm I always wore around my neck. I ran my fingers over its three upright petals and three drooping sepals. The petals represent faith, valor, and wisdom, my dad had said when he fastened the necklace around my neck on my fifth birthday. You already have all those things in spades, little girl, he'd continued, then knelt down to look me straight in the eye. But when things get tough and you forget, this necklace can remind you.
"Clea? Are you okay?"
I smiled and turned to see my best friend since forever clicking across the balcony in high strappy sandals. Those combined with her golden dress, endless legs, and thick mane of red curls made Rayna look like she'd stepped out of a Greek myth.
"I'm fine," I assured her, but the sudden crease between her eyes proved she didn't quite believe me.
"You were thinking about him?"
I didn't have to answer. Her eyes fell to my hand, still fingering the iris charm, and she knew.
"It's worse when you don't sleep," she said. "Maybe we should go back to the room and …"
I shook my head before she could finish. I actually felt a lot better. And even if I didn't, sleep wouldn't help. More often than not in the past year, sleep was just an invitation to nightmares I didn't want.
Besides, even though I knew Rayna would leave in a heartbeat if I asked her, I also knew it was the last thing in the world she wanted to do. She had only three days before winter break ended and she had to go back to Vallera Academy in Connecticut to finish up her senior year. I knew what that was like; this time last year I was at Vallera with her. It took an extreme act of pleading on my part to get my mom to agree to the homeschool switch. Rayna and I had dedicated the entire three-week vacation to traveling and jet-setting, and there was no way she wanted to lose a single second of her remaining time to something as mundane as hanging out in a hotel room.
"I'm great," I assured her. "I just needed a break. And Le Féroce is open all night; we're just getting started."
"Yes!" Rayna squealed. Then she leaned in close and added meaningfully, "I'll fetch our dates."
I grinned as she clicked back to the glass doors. Our "dates." I loved that she called them that when we'd only met them an hour ago at the bar.
I settled into the love seat and looked back out at the skyline, composing photos in my mind and musing about assignments I might take when I got home. Something meaningful, I hoped. Maybe something that could feature GloboReach, my dad's charitable foundation. So much of my dad's press in his last year centered around the vials he uncovered; it's like the world forgot he dedicated himself to more important things, like saving people's lives.
"Enter … the boys!" Rayna proclaimed with a flourish as she arrived with "our dates" in tow. "Pierre … and Joseph."
"Hi." I smiled, taking the drink Joseph offered me. "Thanks."
"Pas de problème," Pierre answered for Joseph as he collapsed into the cushioned chair next to mine. "It is a pleasure to take care of deux belles filles like yourselves." He placed two drinks on a small table, then cried out to Rayna, "Viens, ma cherie! Viens!"
With a playful growl, he wrapped his arms around Rayna's waist and pulled her down on his lap. Was he for real? Rayna seemed to think so. She squealed happily, then settled in sidesaddle.
"You are very bad indeed," she scolded him.
"Mais non!" he protested, then handed her
a drink as a peace offering. "Pour toi."
"Merci," Rayna replied, locking eyes with Pierre and arching her back just enough to add another cup size as she took a sip, then set her glass back down. "Et pour toi," she purred, and closed the distance between them for a long, involved kiss.
Fascinating. Thanks to my parents, I've been lucky enough to see some of the greatest actors of our time perform onstage. Rayna engaging in the art of seduction beat all of them, hands down. I wasn't sure about her choice of partner this time, though. Pierre was so beautiful, it would be a crime against humanity for him not to be a male model, but he was so slim and angular that I imagined sitting on his lap and kissing him would be like cuddling with a porcupine. Rayna didn't seem to mind. She came up for air with a smile that promised more, then leaned toward me and stage-whispered, "Pierre and I are soulmates."
I tried not to laugh. I would have if it was just a line, if she were just saying it to assure Pierre he wasn't spending his drink money in vain. But I knew in this moment, Rayna absolutely meant it, as strongly as she had meant it when she'd said it about Alexei, Julien, Rick, Janko, Steve, and Avi … all of whom she had fallen head over heels with in the past three weeks.
Personally, I don't believe in soulmates. Rayna relishes the concept. She adores the breathless romance of a brand-new relationship. It's a drug for her; nothing makes her feel more alive. And each time that whirlwind of ecstasy sweeps her away, she truly believes that this time it's real; this time it's forever. No matter how often she's let down and disappointed, Rayna remains endlessly optimistic about the prospect of true love. It's an attitude I can't relate to at all, but in her I admire it to no end.
"I'm happy for you," I said. And I meant it. If a fantasy about the man with the angles brought her joy, I was all for it.
She returned my smile, then went back to kissing Pierre, expertly avoiding getting impaled on the points of his chin and cheekbones.
"Ahem."
Joseph had perched on the love seat next to me. His brow was furrowed. Poor guy probably assumed he'd have my full attention the moment he arrived.
"Sorry," I offered, turning my body to face him.
"Are you okay?" he asked in a clipped British accent. "You looked terribly upset when you left the dance floor."
"I did?" I had a disturbing image of a juicy Page Six headline: Senator Victoria Weston's Daughter Loses It in Paris Nightclub. "Did people notice?"
"In the middle of that zoo?" He laughed. "No one but the three of us. Or the two of us, really. I'm not sure Pierre's had his eyes off your friend's …" He tried gesturing with his face to illustrate Pierre's obsession with Rayna's chest, but it was impossible to do so without stepping all over his refined sense of manners.
It was pretty adorable, really. "It's okay," I assured him, "I know what you mean."
"Oh thank goodness," he gushed. And as we laughed together, I wondered if I shouldn't reconsider Joseph. I had written him off as Pierre's wingman, but maybe that wasn't fair. Physically I had no complaints: He was a little taller than my five-four, with pale skin and dark hair, a forelock of which constantly threatened to fall into his face. He was slim, but clearly toned and strong, like …
"Do you play soccer?" I asked. "You look like a soccer player."
Great. Now I sounded as cheesy as his friend Pierre. "I mean—"
"No, it's okay. I do play soccer, actually. Not professionally or anything, but …"
Joseph started to tell me about himself, and I did listen, but I also watched his eyes.
The eyes are the windows to the soul, Clea. My father began telling me that when I was very young, and by the time I was old enough to know it was a cliché, it already felt like an eternal truth.
Joseph's eyes were powder blue, open and clear. A little too clear, to be honest. I kept waiting for something he said to light a fire in them, but it never happened. When he told me he was in the middle of a two-year sabbatical to "travel the world and find his passions," I knew I was done. The right guy for me is someone who lives his passions, not someone on a scavenger hunt to find them. Rayna would say that didn't matter; Joseph didn't have to be my dream man to be a wonderful night's entertainment. Maybe she was right, but I got exhausted just thinking about all the energy it would take to seem interested when I really wasn't.
Joseph leaned forward so his forelock fell over his brow. "So now that I've told you everything there is to know about me … tell me about yourself, Clea Raymond."
"Actually … I'd like to go upstairs and dance," I answered honestly.
"Great, let's do it," he replied, but I shook my head as he started to rise.
"That's okay," I said with what I hoped was a kind enough smile. "I really just want to be by myself for a little."
"Are you sure?"
"Yeah … you don't have to wait for me or anything. I don't want to waste your night. There are a lot of other girls in the club."
"Ah," he said, rising.
I cringed—had I hurt his feelings? Then he smiled. He may not have been happy, but he got it.
"Well then … nice meeting you." He extended his hand, and I shook it. He was a sweet guy; I hoped he'd find someone else. As he strode back inside, I tapped Rayna on the shoulder and caught her eye, then made my way upstairs. The breeze kicked up as I walked, and I shivered. My strappy silk cocktail dress was far too skimpy for winter—even a winter buffered by the club's powerful heat lamps—but it was perfect for dancing. Not the claustrophobic mosh-fest nightmare going on in the main club, but dancing.
I pulled open the balcony doors and immediately felt at ease. Le Féroce's small Upper Lounge was the polar opposite of its wild downstairs, and far more my style. It was intimate, with subtle lighting, plush booths, candlelit sconces, a large mahogany bar, a dance floor, and a small stage on which a phenomenal singer belted out Etta James. I felt embraced by the whole atmosphere, and threaded my way through the other dancers until I was right in front of the stage, where I let the music carry me away.
I love dancing. If the music's right, I get lost in it, and for a little while I can forget about everything else. Dancing for me is what I imagine yoga or meditation is for Rayna. It's similar to how I feel when I'm rock climbing, all by myself on a cliff side where I can only concentrate on the next handhold, the next foothold, and the addictive pain in my muscles as I pull myself higher and higher.
My mind wandered as I danced, and I found myself imagining how the conversation would have continued with Joseph. He gave me the big clue by calling me by my full name. Based on experience, that meant there was a good chance his next question would have been, "So … what's it like being Victoria Weston's daughter?"
It was a crazy question, especially coming from someone like Joseph, who had casually mentioned his ties to the throne and his family's regular appearance in the British tabs. He knew what it was like to live in the spotlight. But he wouldn't have been asking to really find out the answer, just for something to say.
Rayna loved that question. She got it all the time too, only her version asked what it was like to be connected to the Weston family. It was the perfect setup. She'd answer by locking eyes with the guy who asked and cooing meaningfully, "It's the people. I get to meet the most incredible people.…"
That was never my answer. I am not a people person. Maybe that's why I was so okay with homeschooling my senior year. Rayna said she could never do it. She'd be plagued by the dozens of social dramas she'd miss every day. I wasn't bothered by that in the least. It's not that I don't like people; there are certain people I absolutely couldn't live without. Or at least people I feel I couldn't live without. I've learned this year that the truth is I can't live well without certain people, but I can live.
Rayna is one of those people. I
've known her all my life—Rayna's mother Wanda is my mother's "Equine Professional." Basically, Wanda's the nanny for my mother's horses. It's a full-time job, and Wanda could never do it if she had to commute. Instead she has a guesthouse on the property, where she's always lived with Rayna's dad, George.
Mom and Wanda were pregnant at the exact same time, and Dad told me it drove him crazy because neither of them would listen to him and take it easy. At nine months pregnant and big as a house, Wanda would still waddle endlessly around the property, mucking stalls, scooping grain, and personally grooming and walking every horse. Mom was in state politics back then, and even though most of her travel was fairly local, it was constant. To my dad, it was nothing short of miraculous that Mom was actually home when she went into labor … exactly five minutes before Wanda. Since George was at work, Dad ended up driving both women to the hospital. They clutched each other in the backseat—two huge-bellied, panting, moaning women, both of them freaking out about the work they were missing. Dad sped all the way to the hospital, sure he'd get pulled over and arrested for being a suspected polygamist with a taste for overachievers.
Rayna and I were born exactly five hours apart—I'm the older one—and we've been inseparable ever since. We say we're twins with different parents.
The tabloids love to point out the difference in social status between Rayna and me, but to me, she's blood. My parents feel the same way. They've always made sure Rayna went to the same private schools I did, and she's been invited on every family vacation.
Still, to the rest of the world, she's not a Weston. I'm not sure that's such a bad deal. I am a Weston, and the main thing it's meant is a bunch of photographers chasing me from the minute I was born, writing about how I might affect Mom's career, or whether I'd follow in the Weston footsteps one day to change the world. My family name meant that two months into seventh grade, a photo spread appeared in People magazine: "Clea Raymond's Awkward Tween Years!" It was filled with hideous pictures of me from camp the summer before—pictures I had no idea were even being snapped. There was one of me with sleep-knotted hair and thick glasses, another of me picking out a wedgie. There's nothing better for a twelve-year-old's blooming self-esteem than images like that papered all over her school. They gave me a stomachache that lasted until high school.
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